Like their subjects, vampire movies will never die. The genre got a bit of a twist with 2008’s Twilight, the tale of teen bloodsuckers.

Bella Swan (Kristen Stewart) moves to a small spot in Washington state to live with her father Charlie (Billy Burke). Despite Bella’s quiet and introverted nature, the novelty of a new student in a tiny burg makes her the toast of the town.

Bella learns of the Cullen family, a clan of super-attractive foster kids who live under the umbrella of Dr. Cullen (Peter Facinelli) and keep to themselves. Oddly, Dr. Cullen likes to pair up the foster boys and girls romantically, so most fit into couples, but mysterious Edward Cullen (Robert Pattinson) remains solo.

Until he meets Bella, that is. Edward finds himself irresistibly drawn to her, and she feels the same.

Their romance builds slowly, however, and Bella discovers Edward’s secret identity as a vampire along the way. This leads to her integration into his family – and problems when rival vampires catch her scent.

Although I referred to the teen emphasis of Twilight as a twist, clearly it’s not the first time the genre approached the high school set. Back in 1987, The Lost Boys became a decent hit with a similar approach to young vampires.

However, that doesn’t mean Twilight rips off Lost Boys - or even resembles it more than superficially, really. Lost Boys was more of an action comedy, while Twilight emphasizes romance.

Sure, it tosses in some inevitable mayham as well. However, the tale focuses on the seemingly doomed relationship between Bella and Edward.

Really, the vampire twist gives us the primary reason to distinguish Twilight from a slew of other “chick flicks” out there. I don’t intend that to come across as a criticism of the film.

It just stands as an indication that much of Twilight fits a pretty standard romance mode, albeit a romance with more action than usual, especially in its second half.

Though Twilight features only that one serious twist, it becomes a good one, and it creates a surprisingly interesting flick. Back when it ran theatrically, a female friend of mine told me how much she liked it.

I scoffed, as I couldn’t figure out what a 38-year-old woman got from fare apparently intended for teens. If I couldn’t understand what appeal the movie would have for a 30-something woman, I sure couldn’t discern any potential it would have for then-41-year-old male me.

I guess I shouldn’t judge a book by its cover – or a movie by its ad campaign and fan base. Clearly Twilight works best for teen girls, as they remain its primary audience.

That doesn't mean it can’t succeed with other demographics, though. The female crowd will probably take more from it, but the guys can find elements to like as well.

Actually, the romantic aspects of the story become its most successful. The first act remains the most intriguing, as the film’s initial 40 minutes or so set up the characters and situations in a good way.

Sure, we know Edward’s secret from the get-go since we saw the trailers. Nonetheless, Twilight encapsulates teen life well and provides a nice riff on the usual high school courtship rituals.

The action sequences tend to feel more perfunctory. Sometimes I get the feeling they exist because they’re supposed to exist, like those behind Twilight are afraid to veer too much from the standard vampire template.

And maybe they’re right – maybe the story would falter if it stayed with relationships all the time.

I kind of wish they’d given that a shot, though. The movie’s villain seems entirely one-dimensional and decidedly forgettable.

Again, it feels like they toss him in to check off a box on a list. He adds nothing to the film beyond some unnecessary drama.

The film’s basic Romeo and Juliet riff about lovers who appear ill-fated should become enough. We don’t need some perfunctory outside threat when we worry the movie’s leading man will gobble its leading lady every time he kisses her.

The action scenes lose some punch due to poor effects work as well. The visual effects of Twilight often seem cheap and unconvincing.

They’re so tacky that they actively distract from the story. We find it hard to buy into the vampires’ powers because the movie makes them look so goofy.

On the positive side, the actors all contribute good performances, and Pattinson seems especially impressive as Edward. He really shows the character’s inner turmoil as his heart battles with his mind.

We can clearly see why he would appeal to a girl – especially an awkward one like Bella – but Pattinson gives Edward a particular coat of quirkiness as well. Yeah, he remains bound to the James Dean school of teen guys, but Pattinson still turns in a nice piece of acting.

Stewart’s Bella also feels real, as the movie nails the insecurities of teen girls. For instance, when Bella meets Edward’s family, she frets more about whether or not they’ll like her than whether or not they’ll eat her.

Stewart displays the character’s personality well, even if it doesn’t seem especially clear why all the guys in town seem smitten by her. Seriously – when Bella turns down a boy’s request to go to the prom, we’re supposed to view super-sexy Anna Kendrick as the consolation prize?

By the way, am I the only one who thinks Bella gives off a crazy stalker girlfriend vibe? Maybe I’ve met too many nutty women and I’m overly sensitive, but look at the way she freaks out when Edward threatens to leave her.

Bella seems pretty obsessed. Females will probably see this in the “she wants to be with her one true love” way, but as a guy I think Edward will look forward to taking out restraining orders and to finding bunnies boiled in pots.

Despite my lack of initial enthusiasm for the film, I can say that I enjoyed Twilight more than I anticipated. The movie offers a good little character drama/romance with a supernatural side that gives it an edge. The film falters at times but has enough going for it to entertain.

Twilight appears in an aspect ratio of approximately 2.40:1 on this Blu-ray Disc. No issues developed in this pleasing presentation.

Sharpness seemed positive. A smidgen of softness appeared at times, but the majority of the movie displayed clear, accurate images.

No signs of shimmering or jaggies occurred, and the movie lacked edge haloes. Print flaws also failed to mar the transfer.

No one expects a vampire movie to boast a vibrant palette, and when that flick comes set in the gloomy, rainy Pacific Northwest, the potential for colorful material takes an even greater dip.

Despite a few golden scenes, the vast majority of the flick took on a cold green-blue tint. Within those parameters, the hues looked appropriate.

Blacks were dark and tight, while shadows showed good clarity. Overall, this was an appealing presentation that deserved a “B+”.

As for the DTS-HD MA 5.1 soundtrack of Twilight, it seemed positive, though not especially ambitious. Only a smattering of action sequences opened up the piece in a moderate way. The thunderstorm baseball scene was the most dynamic, though a few fights added some zing.

These were exceptions to the rule, though, as most of the movie stayed with atmospheric elements. Music showed solid stereo imaging, though, and provided good reinforcement from the rear speakers.

Audio quality always satisfied. Music was lively and full, with good dimensionality. Effects came across as accurate and tight; they boasted nice punch when appropriate.

Speech also appeared crisp and well-defined. No edginess or other issues marred the presentation. While I didn’t think there was enough pizzazz on display to merit a grade above a “B”, I couldn’t complain about the results.

How did the Blu-ray compare to the original DVD? The BD’s lossless audio showed more range and impact.

Visuals demonstrated the expected improvements, as the BD seemed better defined and more natural than the DVD. This became a positive step up in quality.

The Blu-ray repeats the DVD’s extras, and we open with an audio commentary from director Catherine Hardwicke and actors Kristen Stewart and Robert Pattinson. All three sit together for this running, screen-specific look at sets and locations, cast and performances, stunts and effects, music,

The commentary starts slowly and never really gets into a groove. That doesn’t mean it lacks charms, though.

Hardwicke provides a reasonable amount of movie info, and Pattinson’s tendency to make fun of himself adds humor. Unfortunately, the track just doesn’t gel in a terrific manner.

It sags at times and doesn’t quite come together. Still, it boasts enough worth to merit a listen.

Five Extended Scenes fill a total of nine minutes, 36 seconds including a 21-second general intro from Hardwicke. These include “Are People Talking About the Cullens Again?” (1:55), “James, Let’s Not Play With Our Food” (2:02), “You Don’t Know How It’s Tortured Me” (2:18), “A Hundred Years Worth of Journals” (2:13) and “Don’t Read Charlie’s Mind” (0:44).

Of these, “Cullens” seems good, as it fleshes out some backstory in a satisfying manner. The others feel more redundant, and even tedious in the case of “Tortured”.

Each clip comes with a short introduction from Hardwicke. She offers perfunctory remarks to set up the scenes but she doesn’t tell us any details about them.

Five additional Deleted Scenes appear. Including a 23-second general intro from Hardwicke, these occupy a total of five minutes, 54 seconds. They bring “Edward, She’s Not One of Us!” (0:58), “That’s the First Time I Dreamt of Edward Cullen” (1:18), “Bella, Your Number Was Up the First Day I Met You” (1:48), “She Brought Him to Life” (0:43) and “I Love It When Men Chase Me” (0:40).

Maybe big Twilight fans will get more from these clips than I do, but frankly, most seem pretty dull to me. “Chase” probably should’ve stayed in the flick since it adds much needed exposition to the “bad” vampires, but I can live without the others.

Once again, the running times include intros from Hardwicke. Once again, she tells us little of interest.

Three music videos appear. These show Muse performing “Supermassive Black Hole as well as reels for “Decode” by Paramore and for “Leave Out All the Rest” by Linkin Park.

The Muse segment features some remarks from Hardwicke and author Stephenie Meyer before it shows the band as they play their tune live. It’s not a bad song, but it’s a pretty dull presentation.

As for the two other videos, “Decode” also provides short comments from Hardwicke about the song. That clips itself gives us standard “music videos from movies” fare, as it combines lip-synch footage and film snippets. It almost tries to tell a story with the bandmembers, but it doesn’t work too hard at this.

I have no idea why the Linkin Park piece is called a “video” when it’s another live performance with no link to the movie whatsoever. Heck, we don’t even get another intro from Hardwicke! At no point does it threaten to become memorable.

Our next attraction comes from The Adventure Begins: The Journey from Page to Screen. The documentary lasts 54 minutes, 29 seconds and provides notes from Hardwicke, Stewart, Pattinson, Meyer, screenwriter Melissa Rosenberg, extras casting Danny Stoltz, visual effects supervisor Richard Kidd, producers Wyck Godfrey and Greg Mooradian, special effects foreperson Lawrence “Quasi” Decker, stunt performers Richard Volp, Colin Follenweider, Paul Darnell and Helena Barrett, 2nd unit director Andy Cheng, 2nd AD Thomas D. Coe, editor Nancy Richardson, and actors Peter Facinelli, Elizabeth Reaser, Ashley Greene, Jackson Rathbone, Cam Gigandet, Edi Gathegi, Rachelle Lefevre, Kellan Lutz, Nikki Reed, Justin Chon, Michael Welch, Gregory Tyree Boyce, Taylor Lautner, and Billy Burke.

“Journey” looks at aspects of the book series and its adaptation, cast, characters and performances, Hardwicke’s approach to the film and pre-vis planning, stunts and various effects, locations, editing and music. While it can be viewed as one long program, it really provides seven shorter ones, and that makes it erratic.

On the negative side, “Journey” sticks with its episodic nature in such a way that it lacks much coherence. We zoom through subjects without great depth and don’t learn as much as we’d like. This is particularly true for issues related to the novel/script adaptation, editing and music; these come out as loose overviews at best.

“Journey” does succeed when it comes to the subjects of footage from the set, stunts and effects. We find tons of shots from the production, and we learn quite a lot about the various sorts of effects and stunts. Those areas function well enough to make “Journey” useful, even if it remains erratic.

Note that the Blu-ray allows viewers to access “Journey” either on its own or alongside the film as a “picture-in-picture” presentation. I opted for the standalone edition.

Next we find a featurette called The Comic-Con Phenomenon. The show fills seven minutes, 58 seconds as it shows the reception the Twilight cast and crew got from a heavily female Comic-Con audience.

This means challenging queries like “what’s it like to play a super-hot vampire in a movie?” Expect a whole lot of screaming, as literally every statement uttered by a panel participant ends with wild squealing.

Someone could say “I’m sitting at a table” and the crowd would go crazy. We get a whole lot of hype but not much real information.

A few promotional components appear under Theatrical Campaign. Under this banner, we find “Sneak Peek as Seen on Penelope DVD” (3:22), “Comic-Con New York Sneak Peek” (4:22), “Teaser Trailer #1” (0:58), “Teaser Trailer #2” (1:15) and “Final Trailer” (2:28).

“Sneak Peek” includes comments from Rosenberg, Meyer, Pattinson, and Stewart before it shows snippets from the film. “Comic-Con” features Stewart, Meyer, Hardwicke, Pattinson, Facinelli, Reaser, Greene, Rathbone, Lutz, Reed, Gigandet, Lefevre, and Gathegi. We see little of movie, as the emphasis here is on behind the scenes shots and story/character synopses.

The content of the trailers is pretty straightforward: they advertise the movie. (Surprising, isn’t it?) All are pretty average, as none include unique elements or anything to make them stand out from the typical trailer.

As one far from its target demographic, I expected little from Twilight. However, it turned out to be a pretty interesting flick, and to my surprise, its weakest parts came from those I thought I would like the best. The Blu-ray provides positive picture and audio along with a solid roster of bonus materials. Twilight becomes a fairly engaging mix of romance, fantasy and action.

To rate this film visit the DVD review of TWILIGHT