Scarface appears in an aspect ratio of approximately 1.35:1 on this Blu-ray Disc. Expect up and down visuals.
With the original negative presumably long-gone, the package’s booklet statesthe image came from a “35mm duplicate negative”. On the positive side, the image failed to suffer from any print flaws - a minor miracle due to the flick’s vintage – and a strong layer of grain implied no heavy-handed noise reduction.
However, the film felt somewhat soft much of the time. Many shots offered good delineation, but a lot of it looked fuzzy and ill-defined.
That said, I felt delineation improved moderately as the movie progressed. The first act fared the worst so while I still found inconsistent accuracy after that, matters tended to fare better.
Blacks were generally fairly deep, but whites tended to be too bright at times, and this negatively impacted contrast. This probably is the best anyone can do with the film, but it doesn’t match up with the more impressive transfers of films from this one’s era.
As for the film’s LPCM monaural audio, it seemed positive for a project from 1932. Speech lacked natural tones but the lines remained intelligible and reasonably concise, without edginess or issues.
Typical for 1932 movies, not much music appeared. When we heard snatches, those components seemed perfectly competent, if not with much range.
The same went for effects. These elements came across as thin but they also lacked distortion or similar concerns.
The audio lacked pops, hiss or source flaws. This became a more than satisfactory track for a 92-year-old flick.
The 1932 Scarface originally saw the light of day on Blu-ray as a bonus in the October 2019 Limited Edition 4K for the 1983 version. However, Universal released that same disc for the 1932 edition on its own a mere month later.
How did the 2024 Criterion Blu-ray compare to the 2019 version? Audio seemed more concise and less rough around the edges.
Visuals also brought a decent step up, as the Criterion edition showed superior blacks, contrast and accuracy. Even with its sharpness issues, the Criterion disc fared better than its 2019 predecessor.
Only minor extras appear here, and we find a Conversation with Author Megan Abbott and Actor Bill Hader. Their chat lasts 37 minutes, 47 seconds.
They talk about their experiences with the film and its genre, some production elements and their view of the flick. Essentially an appreciation of Scarface, we get some decent notes but I can’t claim the reel told me a ton of value.
We also get a 17-minute, 18-second Interview with Film Scholar Lea Jacobs in which she examines technical aspects of Scarface, with an emphasis on sound and dialogue editing. Jacobs covers this look at innovation in the early days of “talkies” offers useful information.
Used for a “Censored” version of Scarface, we find a 13-minute, six-second Alternate Ending on its own. More traditional than the theatrical finale, “Alternate” does not seem bad on its own, but the original ending works better.
We conclude with a booklet that features art, credits and an essay from film historian Imogen Sara Smith. It winds up the set in a positive manner.
With a better performance from its lead actor, I’d find myself more fond of 1932’s Scarface. However, Paul Muni damages an otherwise pretty solid gangster flick. The Blu-ray comes with dated but generally positive picture and audio along with minor bonus materials. While I appreciate the movie’s place in history, the 1932 Scarface only sporadically conencts.