Saw X appears in an aspect ratio of 1.85:1 on this Blu-ray Disc. This became a solid reproduction of an intentionally “gritty” movie.
Though shot digitally, the filmmakers wanted to give the image a more celluloid/”dated” look. This meant Saw X lacked the sparkle one would expect from a native 4K product.
In any case, sharpness looked fine overall. Some softness stemmed from the desire to add a layer of “roughness” to the movie, but the image became largely appealing in this domain.
I saw no issues with jagged edges or shimmering, and edge haloes remained absent. The movie sported a layer of “fake grain”, and it lacked print flaws.
Colors veered toward a standard mix of heavy amber and teal, with some reds/greens/yellows tossed in occasionally as well. Tiresome as these choices seem, the disc replicated them appropriately.
Blacks felt deep and dense, while shadows offered solid smoothness and clarity. Expect a quality reproduction of a semi-challenging image.
Downconverted to Dolby TrueHD 7.1, the movie’s Dolby Atmos soundtrack brought a fairly standard horror affair. This meant a lot of ambience punctuated with occasional louder “scare moments”.
Music used the spectrum actively, and general atmosphere fleshed out the room well. As implied, the mix lacked a lot of the kind of action scenes that would create a more dynamic soundscape, but the track seemed more than suitable for this story.
Audio seemed positive, with speech that appeared concise and distinctive. Effects became accurate and full.
Music remained the best part of the track, so the score sounded rich and dynamic. I almost gave the mix a “B+” and it did suit the story, but it felt a bit too limited in scope for a grade above a “B”.
As we shift to extras, we go to an audio commentary with director/editor Kevin Greutert, cinematographer Nick Matthews and production designer Anthony Stabley. All three sit together for this running, screen-specific look at story/characters, cast and performances, sets and locations, effects, photography, editing and cut footage, music, and related domains.
The commentary starts slowly, mainly because the participants tend to blow a lot of smoke and praise each other. However, matters improve as the track progresses, so this eventually turns into a fairly informative chat.
A six-part documentary called Reawakening fills a total of one hour, 35 minutes, 47 seconds. It involves Greutert, Stabley, Matthews, co-writer Josh Stolberg, producers Mark Burg and Oren Koules, executive producers Jason Constantine and Dan Heffner, prosthetic makeup designer Justin Raleigh, key prosthetic makeup artist Kelsey Berk, stunt coordinator Daniel Salazar, composer Charlie Clouser, and actors Tobin Bell, Shawnee Smith, Synnøve Macody Lund, Steven Brand, Paulette Hernández, Octavio Hinojoso, and Renata Vaca.
“Reawakening” looks at the project’s roots and development, story/characters/challenges, cast and performances, sets and locations, cinematography, the “traps” and stunts/effects, editing and music, and the movie’s marketing/release.
With 95 minutes at its disposal, “Reawakening” offers a pretty solid view of the production. Some of the usual happy talk appears, but the program compensates with plenty of good behind the scenes footage.
13 Deleted Scenes occupy a total of 37 minutes, 10 seconds. These add exposition to Kramer’s attempts to pursue treatment as well as more related to the preliminaries before he seeks “justice”.
We also find extensions of existing scenes. At nearly two hours, Saw X already runs long, so I think these would’ve just slowed down the story. Still, some seem interesting on their own.
Drawing Illustration spans 33 minutes, 55 seconds. It presents “illustrated scene breakdowns” with Greutert.
These cover three scenes as Greutert essentially offers additional commentary for them. He also gets to use a telestrator and pause the film to point out details, so this becomes a fun expansion to the full commentary.
In addition to the film’s trailer, we finish with a collection of Makeup Department Trap Tests. These take up 17 minutes, 28 seconds.
As implied by the title, this collection shows video footage of the planning that went into various traps. It delivers a good peek behind the scenes.
As the tenth film in a franchise, Saw X finds little room to innovate. Although it concentrates more on character and plot than usual, the final product still revolves around graphic gore. The Blu-ray comes with well-rendered picture and audio along with a solid collection of bonus materials. Expect a strong release for a so-so movie.