The Man from UNCLE appears in an aspect ratio of approximately 2.40:1 on this Blu-ray Disc. Across the board, this was an appealing transfer.
Sharpness usually looked strong. A little softness appeared at times, some of which seemed to be a stylistic choice, but the majority of the film provided a tight, well-defined image.
Jagged edges and moiré effects remained absent, while edge haloes and noise reduction also failed to appear. Print flaws stayed absent as well.
Like most modern action films, UNCLE went with a teal and orange palette. These tones seemed a little surprising given the movie’s period setting – I thought UNCLE might favor tones that represented 1960s flicks - but they worked fine within the movie’s design parameters and showed good delineation.
Blacks were dark and tight, while shadows boasted nice clarity and smoothness. I felt this was a consistently positive image.
As befits a slick action movie, the flick’s Dolby Atmos soundtrack offered a lot of pizzazz. Downconverted to Dolby TrueHD 7.1 on my system, the mix used the channels in an involving manner throughout the majority of the film.
This meant cars, gunfire and other mayhem all around the room, and the elements connected in a concise, smooth manner. Add to that music as a bold partner and the soundscape turned into an aggressive experience.
Audio quality always satisfied. Music was dynamic and full, and effects followed suit, as those components came across as accurate and wel-developed.
Speech seemed distinctive and crisp, without edginess or other issues. Everything impressed in this strong soundtrack.
How did this 2024 Arrow Blu-ray compare to the original 2015 Blu-ray? Both came with identical Atmos audio.
In addition, if the two differed in terms of visuals, I couldn’t detect these changes. They looked virtually the same to me, which didn’t come as a surprise since the “old” disc came out in 2015.
This meant the Arrow release’s sales pitch comes from its new extras, of which we find a few. In that domain, we get an audio commentary from film historians Bryan Reesman and Max Evry.
Both sit together for a running, screen-specific look at some historical/cultural context and elements, the original series and its long path to the movie screen, cast and crew, music, sets and locations, and their thoughts about the film.
It feels a bit odd to have a "film historian" commentary for a movie that came out nine years ago. I guess none of the principals who actually worked on the film wanted to contribute a track.
Reesman and Evry do their job well nonetheless. They go into a nice array of domains and make this a solid chat.
From there we go to extras also found on the original disc, and Spy Vision: Recreating 60s Cool runs eight minutes, 32 seconds. It provides info from producer/writer Lionel Wigram, producer/writer/director Guy Ritchie, costume designer Joanna Johnston, supervising location manager Sue Quinn, production designer Oliver Scholl, action vehicles coordinator Alex King, and actors Armie Hammer, Elizabeth Debicki, Sylvester Groth, Hugh Grant, Alicia Vikander, and Henry Cavill.
“Vision” discusses costumes, locations and production design, technology and vehicles. Despite an undercurrent of hyperbole, “Vision” mostly offers a good look at how the film recreated its 1960s period.
During the seven-minute, 12-second A Higher Class of Hero, we locate notes from Wigram, Ritchie, Vikander, Cavill, Hammer, King, 2nd unit director/stunt coordinator Paul Jennings, special effects supervisor Dominic Tuohy and actor Luca Calvani.
“Hero” looks at the movie’s stunts and action. Like “Vision”, this can feel a bit over the top, but it comes with a reasonable amount of information.
Next comes Metisse Motorcycles: Proper – And Very British. It fills four minutes, 46 seconds with remarks from Hammer, assistant stunt coordinator Lee Morrison and Metisse Motorcycle owner Gerry Lisi.
Here Hammer and Morrison get a tour from Lisi and let us see the inner workings of the Metisse. It’s a fun look at the motorcycle.
The Guys from UNCLE lasts four minutes, 55 seconds and features Wigram, Ritchie, Cavill, Hammer, Vikander, Calvani Tuohy, Jennings, and actor Jared Harris.
“Guys” discusses cast and characters. A few facts emerge, but mostly this adds up to praise for Hammer and Cavill.
With A Man of Extraordinary Talents, we discover a three-minute, 13-second reel with Hammer, Cavill, Debicki, Vikander, Wigram, Calvini, Grant, and producer Steve Clark-Hall.
“Man” looks at Ritchie’s impact on the set. The featurette follows in the fluffy footsteps of “Guys” and lacks much real informational value.
For the final elements from the 2015 disc, UNCLE: On-Set Spy consists of four behind the scenes clips. With a total running time of five minutes, two seconds, we get “Don’t Swim Elegantly” (1:05), “You Want to Wrestle?” (1:07), “Heli Restored” (1:05) and “A Family Thing” (1:45).
The first two show footage from the shoot without any commentary, but “Heli” offers notes from Wigram and helicopter owner/pilot Robert Hields and “Thing” features assistant director trainee Rory Gibb. I like the presentation and think these snippets can be enjoyable.
Now we head to Arrow exclusives, and The Hollywood Way goes for 16 minutes, 14 seconds. It offers notes from co-writer Lionel Wigram.
“Way” covers how Wigram got into the film business as well as aspects of his work on UNCLE. This turns into a fairly informative chat.
A Lineage of Bad Guys lasts 15 minutes, 26 seconds. This one features notes from actor Luca Calvani.
With “Lineage”, we learn about Calvani's role and performance along with reflections on his career and other parts of the shoot. Expect another useful discussion.
Next comes Legacy of UNCLE. It occupies 28 minutes, 38 seconds and brings info from author/film historian Vic Pratt, Reprobate Press editor David Flint, and writer/speaker Helen McCarthy.
“Legacy” looks at aspects of the original 1960s TV series and their thoughts on the 2015 movie. The participants cover this subject well.
Cockneys and Robbers runs 25 minutes, 13 seconds. This one involves film critics Kat Hughes and Hannah Strong and Miskatonic Institute of Horror Studies executive director Josh Saco.
Here we find info about Guy Ritchie's life and career as well as his take on UNCLE. They deliver a decent overview, though the audio commentary gets into a lot of the same material.
In addition to the film’s trailer, we find an Image Gallery that presents 33 elements. We mostly find movie stills but we see three posters as well. It becomes a forgettable compilation.
Aspects of The Man From UNCLE work well, but the movie seems curiously lackluster overall. While I think it delivers acceptable entertainment, it never becomes better than average. The Blu-ray offers solid picture and audio along with a good array of supplements. UNCLE keeps us moderately engaged but it fails to excel.
To rate this film, visit the original review of THE MAN FROM UNCLE