The Hitcher appears in an aspect ratio of approximately 2.39:1 on this 4K UHD Disc. Though the Dolby Vision presentation showed the vestiges of its era, the movie still looked solid.
Sharpness worked fine. Some murkier nighttime shots could seem a bit soft, but most of the film seemed accurate and concise.
Neither jaggies nor moiré effects created concerns, and edge haloes remained absent. Grain seemed light but consistent, and I witnessed no print flaws.
Colors tended toward something of an amber tone to match the parched Texas environment, but they hewed fairly natural overall, with a bit of blue along the way too. The hues seemed well-depicted and rich, and HDR gave them added punch.
Blacks seemed solid and deep, while shadows came across and generally positive. HDR offered extra impact to whites and contrast. Nothing here turned into a visual showcase, but the image worked fine for a relatively low-budget film from 1986.
Downconverted to Dolby TrueHD 7.1, the movie’s Dolby Atmos remix seemed satisfying. Happily, it didn’t go nuts and attempt to give us a truly “modern” track.
This meant a soundfield that mainly focused on the front speakers, where effects broadened in a reasonable manner. Mostly we got localization and movement from vehicles and gunfire, though a few other elements popped up on the sides too.
Music appeared to remain monaural, which might act as an indication the disc’s producers couldn’t locate source stereo tracks. The back channels largely reinforced the front, though some of the louder scenes – car wrecks, etc. – made more active use of those speakers.
Audio quality held up fine over the decades, with speech that came across as fairly natural and mostly free from edginess. Effects boasted good accuracy and range.
The synthesizer score became a slightly weak link, as the music lacked much punch, but those components still seemed decent and lacked distortion. All in all, the mix seemed positive given the movie’s vintage and budget.
How did the 4K UHD compare to the Blu-ray version? Both offered identical audio.
As for the Dolby Vision UHD, it came with improvements in terms of delineation, colors and blacks. While the 4K didn’t offer a huge upgrade over the BD, it still became the more satisfying rendition.
A few extras flesh out the disc, and we find an audio commentary from director Robert Harmon and writer Eric Red. Both sit together for a running, screen-specific look at story/characters, cast and performances, music, photography and editing, sets and locations, stunts and connected domains.
Due to lots of dead air, the commentary starts slowly and never recovers. When Red and Harmon speak, they deliver some worthwhile notes, but all the empty spots make the track an exercise in frustration.
In addition to the film’s trailer, we get a featurette called Bullseye. It goes for 41 minutes, 29 seconds and provides more from Harmon.
During this discussion, Harmon tells us how he got onto the project, cast and crew, and aspects of the production. Harmon compensates for the flawed commentary with a consistently informative interview.
A cult classic that deserves its status, The Hitcher still delivers a creepy experience. Thanks to a solid script, concise direction and a wholly unnerving performance by Rutger Hauer, the movie remains a warped winner. The 4K UHD boasts good picture and audio as well as a few bonus features. Hitcher continues to get it done.
To rate this film, visit the prior review of THE HITCHER