Godzilla vs. Kong appears in an aspect ratio of approximately 2.40:1 on this 4K UHD Disc. A native 4K project, this Dolby Vision presentation looked great.
At all times, sharpness appeared positive. I thought the image seemed accurate and well-defined from start to finish, with virtually no signs of softness on display. I noticed no signs of shimmering or jaggies, and the movie lacked any print flaws.
Like most other modern action flicks, GvK favored stylized colors, and as usual, those colors tended toward teal and orange. Actually, the palette broadened at times, so while it stayed heavily stylized, at least more red, blues, pinks, purples and greens emerged.
Given the visual choices, the hues looked positive. The disc’s HDR added kick and power to the tones.
Blacks were always deep and tight, while shadows seemed clear and appropriately opaque. HDR brought intensity and range to whites and contrast. The 4K UHD became a strong reproduction of the film.
Downconverted to Dolby TrueHD 7.1, I felt just as pleased with the impressive Dolby Atmos soundtrack of GvK. A movie packed with mayhem and action, the mix used all the channels in a lively, involving manner. Vehicles, weapon-fire, monsters, and similar elements popped up from all around the room and delivered a smooth, engrossing soundscape.
This meant nearly constant material from the surrounds. The back speakers delivered a high level of information and created a great sense of place in that domain. All of this melded together in a vivid, satisfying manner.
Audio quality was also strong. Music seemed full and bold, while speech was consistently natural and crisp.
Effects became the most prominent component, of course, and packed a solid punch, with positive clarity and range. People invest major bucks in home theaters for flicks like this, and GvK delivered the goods.
How did the 4K UHD compare to the Blu-ray version? Audio remained identical, as both sported the same Atmos track.
Visuals showed a nice upgrade, as the Dolby Vision rendition boasted improvements in terms of definition, blacks and colors. While the BD looked very good, the 4K became a stunning representation that easily topped the Blu-ray.
On the 4K disc, we find an audio commentary from director Adam Wingard. He offers a running, screen-specific look at story/characters and connections to the earlier films, sets and locations, cinematography and music, cast and performances, various effects, influences/references and related areas.
Though he occasionally goes AWOL for brief periods, Wingard mostly provides a solid chat. He remains chatty and engaging as he gives us a fine view of the production.
The remaining extras appear on the included Blu-ray disc. Under The God, we get two featurettes: “Godzilla Attacks” (6:25) and “The Phenomenon of Gojira, King of the Monsters” (9:52).
Across these, we hear from Wingard, producers Mary Parent and Alex Garcia, production designer Thomas S. Hammock, 2014 director Gareth Edwards, 2019 writer Zach Shields, On Monsters author Stephen T. Asma, 2019 director Michael Dougherty, Haunted author Leo Braudy, and actors Kyle Chandler, Julian Dennison, Brian Tyree Henry, Millie Bobby Brown, Sally Hawkins (2014), Bryan Cranston (2014), David Straithairn (2014, 2019), and Vera Farmiga (2019).
These examine the depiction of Godzilla, some human characters/actors, and reflections on the Godzilla series. Both offer some decent notes but they tend to feel a bit fluffy.
Four more featurettes show up within The King: “Kong Leaves Home” (7:56), “Kong Discovers Hollow Earth” (7:53), “Behold Kong’s Temple” (5:52), and “The Evolution of Kong, Eighth Wonder of the World” (8:25). These include notes from Wingard, Hammock, Garcia, Dougherty, Brown, production designer Owen Paterson, costume designer Ann Foley, 2017 director Jordan Vogt-Roberts, 2017 costume designer Mary E. Vogt, 2017 production designer Stefan Dechant, and actors Alexander Skarsgård, Rebecca Hall, Demián Bichir, Eiza González, Tom Hiddleston (2017), Brie Larson (2017), and Corey Hawkins (2017).
Here we examine the movie’s depiction of Kong and other characters, costumes, creatures and vehicles, cast, set design, and Kong over the years. Though we still get some superficial elements – especially during “Wonder” – the “King” featurettes usually offer good content.
With The Rise of Mechagodzilla, we get a seven-minute, six-second reel that features Wingard, Dennison, Paterson, Hammock, Garcia, Brown, Henry, and executive producer Jay Ashenfelter.
As expected, “Rise” views the design and execution of Mechagodzilla and related sets. It becomes a pretty useful overview.
Finally, The Battles breaks into three clips: “Battle at Sea” (5:01), “One Will Fall” (5:58) and “Titan Tag Team” (7:59). In these, we hear from Wingard, Hammock, Ashenfelter, Garcia, Henry, Skarsgård, Ashenfelter, Paterson, and Chandler.
We find a mix of notes connected to the movie’s fight sequences. These become reasonably informative featurettes.
While not devoid of thrills, Godzilla vs. Kong never lives up to the excitement promised by its premise. With a messy narrative and too many extraneous story beats, the movie fails to capitalize on its potential. The 4K UHD brings excellent picture and audio along with a generally informative set of supplements. Though it occasionally rouses to life, too much of GvK feels slow and inert
To rate this film visit the prior review of GODZILLA VS. KONG