Friday the 13th - The Final Chapter appears in an aspect ratio of approximately 1.85:1 on this Blu-ray Disc. The Final Chapter presented a positive presentation.
Sharpness was fine. Some wide shots and interiors could demonstrate light softness, but the majority of the movie seemed pretty well-defined.
No issues with jagged edges or moiré effects occurred, and I saw no edge haloes. With a good layer of grain, digital noise reduction didn’t seem to be a concern, and print flaws failed to mar the image.
The movie went with a pretty natural palette that usually looked fine. Nothing about the colors excelled, but the Blu-ray reproduced them in an appealing manner.
Blacks looked dark and tight, and shadows brought good clarity. This was a solid image that replicated its source well.
In terms of audio, the Blu-ray included a DTS-HD MA 5.1 remix. Taken from the original mono, don’t expect a whole lot from the soundfield. Music benefited the most, as the score boasted good stereo delineation and the iconic “ki-ki-ki” elements spread around the room.
Otherwise, the mix focused on general ambience. Scenes like the rainstorm showed nice involvement but the majority of the movie remained restricted, so surround usage was minor.
Audio quality seemed decent for its age. Speech came across as reasonably natural, though some brittleness occurred; the lines were usually positive but they showed occasional roughness. Music sounded clean and bright, with decent range, while effects were more than adequate; though they lacked great power, they showed acceptable clarity. This was a workable but unexceptional remix.
How did this 2021 Blu-ray compare to the 2009 Blu-ray? Both came what sounded like the same DTS-HD MA audio, though at least the 2021 disc also featured the original mono, albeit in lossy form.
Visuals showed a moderate upgrade with the Blu-ray, as it looked a bit tighter and cleaner. This didn’t become a major improvement but it turned into the more satisfying presentation.
The 2021 Blu-ray repeats its predecessor’s extras, and we start with two separate audio commentaries. The first comes from director Joe Zito, screenwriter Barney Cohen and editor Joel Goodman.
All three sit together for this running, screen-specific look at studio and budget pressures, MPAA concerns, story and characters, editing, music and cinematography, killing Jason, cast and performances, gore and effects, locations, and a few other production topics.
Though the track occasionally sags due to dead air, the participants usually offer a good look at the film. They interact well and seem happy to delve into the movie’s creation. Despite some gaps, the commentary moves well and turns into a satisfying discussion of the flick.
Next comes a “fan commentary” with horror filmmakers Adam Green and Joe Lynch. They also sit together and provide a running, screen-specific chat in which they offer an appreciation for the film. They tell us a little about the production but mostly get into their thoughts about it.
Tracks like this usually degenerate into little more than gushing praise. This one includes a little of that, but the participants are too irreverent for this to become an annoyance.
Not that they come across like smarmy jerks, though, as they clearly love the movie, and their feelings come through in their comments. We don’t learn a ton about the movie here, but the track proves to be enjoyable and fun nonetheless.
Excerpted from a long documentary on a 2004 bonus disc, The Friday the 13th Chronicles, Part IV runs 13 minutes, 13 seconds and includes remarks from Zito and actor Corey Feldman.
The program covers new ideas, casting, creating some of the kill scenes, and shooting the end sequence. It’s a tight little look at the movie, even though it feels a little weird when separated from its original place.
Also trimmed from a 2004 piece, Secrets Galore Behind the Gore lasts 13 minutes, 30 seconds and features special makeup effects creator Tom Savini; we also hear a little from instructor Chris Pirt and students Danielle Noe, Anthony Ortiz and Robert Lucas.
As one might expect, the featurette mainly concentrates on the nuts and bolts elements of creating the various effects. Savini delivers good notes about his work in this informative clip.
Continuing a series from the first three Deluxe Editions, Lost Tales from Camp Blood – Part 4 runs six minutes, 20 seconds. This gives us a short film in the Friday vein.
The first three were pretty lame, and Part 4 doesn’t fare any better. Maybe somebody likes these things, but I take nothing from them.
A collection of Slashed Scenes goes for 15 minutes, 18 seconds. We find a slew of silent clips narrated by Zito. These are really just outtakes, as no unused story points appear.
Instead, we see raw footage of stunts and gore. None of this becomes especially interesting, though the compilation offers a decent look at the basic effects work.
Next we find a featurette called Jason’s Unlucky Day: 25 Years After Friday the 13th: The Final Chapter. In this 11-minute, one-second piece, we hear from Zito, Cohen, special effects creator Tom Savini, and actors Ted White, Kimberly Beck, Bonnie Hellman, and Erich Anderson. “Day” looks at story issues, cast and performances, gore and effects, and some thoughts on the series.
While it includes a lot of good information, “Day” jumps around so much that it becomes a bit incoherent. It feels ADHD in the way that it flits from one topic to another and rushes through its subjects. I like the material we get but would prefer a longer, more in-depth take on the film.
More deleted footage shows up via The Lost Ending. The silent clip goes for three minutes, 20 seconds and comes with narration from Zito and Beck.
It shows a dream sequence that would’ve finished the film. It’s not great, but it might’ve been interesting, especially since so many of the Friday flicks used similar fake-out finales.
The Crystal Lake Massacres Revisited Part I lasts 18 minutes, seven seconds and provides a faux documentary that examines the events of the first four Friday movies.
It looks at the killings from a mix of angles and comes across as reasonably entertaining, especially when it points out the more absurd aspects of the series. Some poor acting bogs it down, but it’s still clever enough to succeed.
In addition to the film’s trailer, we finish with Jimmy’s Dead Dance Moves, which lasts two minutes, six seconds and includes a few notes from Zito.
We see shots of Crispin Glover’s bizarre dancing, as we get a mix of outtakes and bits from the final film. It’s an insubstantial piece.
A film that totally failed to fulfill its title’s promise, Friday the 13th: The Final Chapter also fell short of any other distinctiveness. It did little more than rehash the same story, as it tossed out characters and situations an awful lot like those of the first three movies. The Blu-ray provides generally good picture and audio along with a satisfying set of supplements. The film flops but the Blu-ray reproduces it well.
Note that as of summer 2021, this remastered Final Chapter disc can only be purchased as part of a new “8 Movie Collection”. Unsurprisingly, this provides the series’ first eight movies, the first four of which get new transfers – well, new to Paramount releases, as these seem to duplicate the presentations found on the 2020 Shout! Factory boxed set.
To rate this film visit original review of FRIDAY THE 13TH: THE FINAL CHAPTER
