The Exorcist: Believer appears in an aspect ratio of 1.85:1 on this Blu-ray Disc. This was a generally positive presentation.
Sharpness looked solid. A few shots felt slightly soft, but not to a substantial degree, so most of the movie seemed accurate and concise.
No jagged edges or shimmering occurred, and I saw no edge haloes. Source flaws were a non-factor, as the movie stayed clean.
Like most modern flicks, Believer favored a mix of amber/orange and teal, albeit with a dingy, grimy vibe. Within these parameters, the colors appeared solid.
Blacks seemed deep and tight, while shadows were smooth and well-delineated. In the end, the transfer proved to be appealing.
Downconverted to Dolby TrueHD 7.1, I also felt positive about the pretty good Dolby Atmos soundtrack of Believer. Given the nature of the story, moody environmental information dominated the mix.
These elements filled out the speakers in an involving manner. The movie didn’t become a constant whiz-bang soundfield, but it created a decent sense of place.
Along with an earthquake early in the film, he more active “scare moments” used the spectrum in the most dynamic manner, but they failed to appear on a frequent basis. Instead, music and moody ambience became the most prominent components, along with rain and other weather elements.
Audio quality was fine, as speech seemed natural and concise. Effects depicted the elements with acceptable accuracy and boasted pleasing low-end when necessary.
Music showed positive clarity and range, and they also packed solid bass response at times. This was a perfectly positive mix for the material.
As we shift to extras, we open with an audio commentary from co-writer/director David Gordon Green, executive producer Ryan Turek, co-writer Peter Sattler and special makeup effects designer Christopher Nelson. All four sit together for this running, screen-specific look at story/characters, influences, cast and performances, various effects, sets and locations, music, editing, and connected domains.
Expect a fairly satisfying overview here. We get a good examination of the expected topics in this brisk and engaging chat.
Six featurettes follow, and Making a Believer goes for eight minutes, 45 seconds. It brings remarks from Green, Nelson, producers David Robinson and Jason Blum, and actors Leslie Odom Jr., Ellen Burstyn, Ann Dowd, Olivia O’Neill, Jennifer Nettles, and Lidya Jewett.
The program covers the Exorcist franchise, story/characters, cast and performances, and Green’s impact on the set. A few decent tidbits emerge, but most of the reel feels fluffy.
Reunited lasts four minutes, 32 seconds. This one delivers info from Blum, Green, Burstyn, and actor Linda Blair.
This one examines actors who returned from the original Exorcist. Expect more happy talk.
With Stages of Possession, we find a six-minute, three-second piece. Here we find notes from Jewett, O’Neill, Green, Nelson, Nettles, Dowd, and actor Okwui Okpokwasili.
“Stages” tells us about the movie’s makeup effects. Once again, we find a mix of decent notes and puffy praise.
The Opening spans six minutes, 18 seconds. It presents statements from Green, Odom, Blum, executive producer Stephanie Allain, editor Tim Alverson, and stunt coordinator Ashley Rae Riddick.
This piece takes on aspects of the movie’s prologue, with an emphasis on locations, sound design, editing, and stunts. “Opening” becomes another combination of facts and fluff.
Next comes Editing an Exorcism. It lasts four minutes, 34 seconds and features Alverson, Green, Nettles, Dowd, Jewett, O’Neill,
As implied by the title, this one looks at editing. Once more, the reel combines praise with insights.
Finally, Matters of Faith runs four minutes, 24 seconds. This one delivers comments from Burstyn, Green, Senior Lecturer in Religion and Social Sciences Dr. David M. Bell, priest/actor Father Morris, and Master of Divinity Reverend Bec Cranford.
“Faith” looks at the movie’s religious underpinnings. That sounds like a worthwhile topic but the featurette fails to explore it in an involving manner.
50 years after the original film became a massive hit and a cultural sensation, The Exorcist: Believer attempts to restart and reinvigorate the franchise. While it shows occasional signs of life, too much of the movie drags and fails to find its own personality. The Blu-ray comes with good picture and audio as well as an inconsistent mix of bonus features. Perhaps the second chapter in this trilogy will rebound, but Believer launches matters on a tepid note.