The 355 appears in an aspect ratio of approximately 2.39:1 on this 4K UHD Disc. The image replicated the native 4K source well.
Sharpness seemed strong. Virtually no softness emerged, so the result seemed concise and accurate.
Shimmering and jagged edges remained absent, and I witnessed no edge haloes. Print flaws failed to appear, so this was a clean presentation.
Orange/amber and teal dominated the palette, but not to an oppressive degree. The colors were fine within their stylistic restraints, and HDR added kick to the tones.
Blacks looked deep and taut, and shadows showed good clarity. HDR brought extra impact to whites and contrast. This turned into a pleasing transfer.
Downconverted to Dolby TrueHD 7.1, no complaints accompanied the excellent Dolby Atmos soundtrack of 355. With plenty of action, the soundscape often opened up in a dynamic manner and used all the channels to positive advantage.
Various vehicles zoomed around the room and guns peppered the soundscape to solid effect. The soundfield added to the experience.
Audio quality worked well. Speech remained natural and distinctive, without edginess or other concerns.
Music was bold and dynamic, and effects satisfied. Those elements were expressive and impactful, as they showed fine definition and power. This was a very good mix.
How did the 4K UHD compare with the Blu-ray version? The Atmos audio added some involvement to the already-excellent 5.1 track.
As noted, 355 delivered a native 4K product, so the UHD disc boasted superior colors, blacks and delineation. This didn’t turn into a dazzling upgrade, but the 4K nonetheless turned into the superior rendition of the film.
Two Deleted Scenes fill a total of six minutes, 20 seconds. Almost that entire span comes from one scene in which we get a standoff between Graciela and Luis. It offers some decent tension but takes up too much time to fit into the main film.
The much shorter second scene just expands an action scene by a little. It doesn’t contribute much.
Some featurettes follow, and Chasing Through Paris runs four minutes, 58 seconds. It offers notes from writer/director Simon Kinberg, producer Kelly Carmichael, 2nd unit director/stunt coordinator Jimmy O’Dee, director of photography Tim Maurice-Jones, and actors Jessica Chastain, Sebastian Stan, Diane Kruger, and Edgar Ramírez.
The show covers a big set piece shot in France. Despite a fluffy tone, it gives us a decent look at this part of the production.
Action That Hurts goes for five minutes, 27 seconds and involves Chastain, Kruger, Carmichael, Kinberg, Ramírez, O’Dee, production designer Simon Elliott and military advisor Richard Smedley.
It functions the same way as “Chasing”, albeit for a different sequence. Expect another useful but promotional reel.
Next comes Reconstructing Marrakesh, a five-minute, 34-second clip that includes Chastain, Elliott, Kruger, costume designer Stephanie Collie, Carmichael, Kinberg, O’Dee, and actor Lupita Nyong’o.
Unsurprisingly, this one covers elements connected to the movie’s Morocco scenes. It works fine and continues to peppy tone of the prior two shows.
Chaos At the City of Dreams lasts three minutes, 51 seconds and delivers comments from Chastain, O’Dee, Kinberg, Stan, special effects supervisor Michael Dawson and special effects assistant supervisor Manex Efrem.
As you might expect, this program adopts the same vibe as the others while it examines aspects of the movie’s climactic fight. As you might also expect, it offers enough good info to make it worth a look, but it lacks depth.
Finally, two VFX Breakdowns occupy a total of five minutes, four seconds. These show various shots before and after visual effects work. I like this kind of piece.
A second disc provides a Blu-ray copy of 355. It includes the same extras as the DVD.
With a very talented cast involved, The 355 comes with potential to work better than the average action movie. Unfortunately, nothing else about it satisfies, as it seems like a scattered, generic thriller. The 4K UHD boasts excellent picture and audio along with a smattering of bonus materials. 355 squanders its potential to become an underwhelming action tale.
To rate this film visit the prior review of THE 355